HiFi-Tuning Supreme³ Copper Fuse 5x20 mm

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Excl. TAX: € 41.32 Incl. TAX: € 50.00

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Excl. TAX: € 41.32 Incl. TAX: € 50.00

Quick Overview

  • Great benefits for a relative small investment
  • Greatly reduced losses
  • Individually tested
  • Caps consisting of Cardas Low Eddy Copper, gold plated
  • Black ceramic body with special filler
  • Straight melting wire consisting of pure Cardas copper
  • Cryogenic treatment
  • Demagnetized
  • WA-Quantum treated
  • Available in all usual current ratings
  • Available only as 5x20 mm time-delayed
  • 3 Extra-time-delayed (XT) values available for Naim equipment and such

Details

Fuses with remarkable musicality 

Certainly, the fuses inside your audio & video equipment are amongst the most underestimated components. All current that is drawn from the mains has to go through a tiny piece of wire inside this very cheap part. In most cases, a large amount of money has been invested in expensive powercords and other mains related accessories. However, there is no accessory that will bypass the bottleneck in the power delivery of your system that is called the fuse. Huge enhancements can be achieved with little effort by replacing the stock fuses by HiFi-Tuning Supreme³ fuses which are specifically designed for audio/video applications.

In the HiFi-Tuning Supreme³ Copper Fuse, the caps as well as the melting wire consist of Cardas Low Eddy Copper, fitted in a black ceramic tube. The caps are gold plated to prevent oxidation. These fuses have got a cryogenic and WA-Quantum treatment. The fuses are fully hand-built in Germany and individually packaged in a luxury box.

The impact on your sound can best be described as a highly musical yet nicely detailed sound. In fact, the good properties of the HiFi-Tuning Ultimate² are improved in this fuse by far.


Review:
Supreme³ microfuses from HiFi-Tuning by Daniel Plaßmann @ audiophil-online.com
"First I used the Supreme3 copper fuse and started my listening session almost obligatorily with the album 'Love Me Tender' by Barb Jungr (Linn Records 2005). In the first track 'Love Letters' the Celesta sounded less sharp in the first few bars, but not a bit soft. On the contrary: the keystrokes were clearer, brighter, shinier – and due to the lower sharpness, they lived up to their French word origin and sounded heavenly in the truest sense of the word. Barb Jungr’s voice, which started shortly afterwards, had more volume, was therefore more present and also clearer. And the cello in the middle of the piece impressed with more distinct melodiousness and much more audible vibrato."

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